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Thursday, February 01, 2007

I fought in a war and I left my friends behind me
To go looking for the enemy, and it wasn't very long
Before I would stand with another boy in front of me
And a corpse that just fell into me, with the bullets flying round

And I reminded myself of the words you said when we were getting on
And I bet you're making shells back home for a steady boy to wear
Round his neck, well it won't hurt to think of you as if you're waiting for
This letter to arrive because I'll be here quite a while

I fought in a war and I left my friends behind me
To go looking for the enemy, and it wasn't very long
Before I found out that the sickness there ahead of me
Went beyond the bedsit infamy of the decade gone before

And I reminded myself of the words you said when we were getting on
And I bet you're making shells back home for a steady man to wear
Round his neck, well it won't hurt to think of you as if you're waiting for
This letter to arrive because I'll be here quite a while

I fought in a war, and I didn't know where it would end
It stretched before me infinitely, I couldn't really think
Of the day beyond now, keep your head down pal
There's trouble plenty in this hour, this day
I can see hope I can see light

And I reminded myself of the looks you gave when we were getting on
And I bet you're making shells back home for a steady man to wear
Round his neck, well it won't hurt to think of you as if you're waiting for
This letter to arrive because I'll be here quite a while


Sunday, January 21, 2007

We sympathize even with the dead, and overlooking what is of real importance in their situation, that awful futurity which awaits them, we are chiefly affected by those circumstances which strike our senses, but can have no influence upon their happiness. It is miserable, we think, to be deprived of the light of the sun; to be shut out from life and conversation; to be laid in the cold grave, a prey to corruption and the reptiles of the earth; to be no more thought of in this world, but to be obliterated, in a little time, from the affections, and almost from the memory, of their dearest friends and relations. Surely, we imagine we can never feel too much for those who have suffered so dreadful a calamity. The tribute to our fellow-feeling seems doubly due to them now, when they are in danger of being forgot by every body; and, in the vain honours which we pay to their memory, we endeavour, for our own misery, artificially to keep alive our melancholy remembrance of their misfortune. That our sympathy can afford them no consolation to be an addition to their calamity; and to think that all we can do is unavailing, and that, what alleviates all other distress, the regret, the love, and the lamentations of their friends, can yield no comfort to them, serves only to exasperate our sense of their misery. - Adam Smith


Tuesday, April 04, 2006

CARDINAL IDEOGRAMS
By May Swenson

0 A mouth. Can blow or breathe, be funnel, or hello.

1 A glass blade or a cut.

2 A question seated. And a proud bird’s neck.

3 Shallow mitten for two-fingered hand.

4 Three-cornered hut on one stilt. Sometimes built so the roof gapes.

5 A policeman. Polite. Wearing visor cap.

6 O unrolling, tape of ambiguous length on which is written the mystery of everything curly.

7 A step, detached from its stair.

8 The universe in diagram: A cosmic hourglass. (Note enigmatic shape, absence of any valve of origin, how end overlaps beginning.) Unknotted like a shoelace and whipped back and forth, can serve a model of time.

9 Lorgnette for the right eye. In England or if you are Alice the stem is on the left.

10 A glass blade or a cut companioned by a mouth. Open? Open. Shut? Shut.


Tuesday, March 14, 2006

The Benjamin Franklin of Monogamy

Reminiscing in the drizzle of Portland, I notice
the ring that's landed on your finger, a massive
insect of glitter, a chandelier shining at the end

of a long tunnel. Thirteen years ago, you hid the hurt
in your voice under a blanket and said there's two kinds
of women—those you write poems about

and those you don't. It's true. I never brought you
a bouquet of sonnets, or served you haiku in bed.
My idea of courtship was tapping Jane's Addiction

lyrics in Morse code on your window at three A.M.,
whiskey doing push-ups on my breath. But I worked
within the confines of my character, cast

as the bad boy in your life, the Magellan
of your dark side. We don't have a past so much
as a bunch of electricity and liquor, power

never put to good use. What we had together
makes it sound like a virus, as if we caught
one another like colds, and desire was merely

a symptom that could be treated with soup
and lots of sex. Gliding beside you now,
I feel like the Benjamin Franklin of monogamy,

as if I invented it, but I'm still not immune
to your waterfall scent, still haven't developed
antibodies for your smile. I don't know how long

regret existed before humans stuck a word on it.
I don't know how many paper towels it would take
to wipe up the Pacific Ocean, or why the light

of a candle being blown out travels faster
than the luminescence of one that's just been lit,
but I do know that all our huffing and puffing

into each other's ears—as if the brain was a trick
birthday candle—didn't make the silence
any easier to navigate. I'm sorry all the kisses

I scrawled on your neck were written
in disappearing ink. Sometimes I thought of you
so hard one of your legs would pop out

of my ear hole, and when I was sleeping, you'd press
your face against the porthole of my submarine.
I'm sorry this poem has taken thirteen years

to reach you. I wish that just once, instead of skidding
off the shoulder blade's precipice and joyriding
over flesh, we'd put our hands away like chocolate

to be saved for later, and deciphered the calligraphy
of each other's eyelashes, translated a paragraph
from the volumes of what couldn't be said.


Monday, March 13, 2006

In Memory Of W.B. Yeats



I
 
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
The snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
 
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
 
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
 
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
 
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
 
II
 
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
 
III
 
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
 
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
 
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
 
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice.
 
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress.
 
In the deserts of the heart
Let the healing fountains start,
In the prison of his days
Teach the free man how to praise.